REV DIV LUV

16 fragments, a la: Why flesh Why Standing Why Wednesday at noon Love is always when is always You is always always always Always Always

Inquiries on vision(s) – show–ings

P(arts), and w(holes). Yes.

It will start, and then it will end.

And in-between, we’ll attend to its dying.

But that doesn’t mean we won’t have fun!

Ain’t gonna be possible to see it all… (There’s a big pillar.)

But maybe that’s the point. And the risk!

Vision(s), don’t necessarily rely upon seeing.

“The successful negotiation of holes […]

Is dependent on maintaining

A healthy respect

For what cannot be seen.” – William Pope.L

But still! there are options – choices.

Ways to collaborate with one’s own seeing.

Maybe the space behind the eyelids,

Is just as important here….

“The foundational paradoxes of the anchoritic lifestyle […]

The anchoress was simultaneously dead and alive;

The cell was both secular and sacred;

The life was both mundane and glorious.” – Michelle M. Sauer

Working group

  • Choreography: Kadence Neill (artistic thesis)
  • Performers: Nella Matleena, Elias Berglund, Valtteri Juvonen, Miska Palsio, Monia Penttinen, Anniina Dyster, Katri Käpynen, Paria Mohajerani, Altinay Kapsiz, Samu Kotilainen, Inka Auvinen, Li Krook
  • Lighting design: Katinka Ebbe
  • Dramaturgy: Barabas Szigeti
  • Scenography: Anni Hernetkoski
  • Costume design: Satu Muurinen (Aalto ARTS, artistic thesis)
  • Sound design: Ilja Pippa (artistic thesis)
  • Producers: Elena Kirdaite and Amanda Larsson Rabian

Location on map

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